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DZOfilm Pavo 2x Anamorphic Prime 100mm T2.4 (Neutre, Métrique, PL/EF)

DZOfilm Pavo 2x Anamorphic Prime 100mm T2.4 (Neutre, Métrique, PL/EF) - Main image
$2334.47 $3827 In stock

Category: Objectifs Caméra

Présentation du DZOfilm Pavo 2x anamorphic Prime 100mm T2.4 (Neutre, Métrique)

Le DZOfilm Pavo 2x anamorphic Prime 100mm T2.1 (Neutre, Métrique) est un objectif anamorphique conçu pour les cinéastes à la recherche d’un grossissement anamorphique 2x et d’un excellent bokeh. Il offre une ouverture lumineuse T2.4 constante et la distance de mise au point minimale la plus courte du marché. De quoi offrir aux cinéastes une multitude de possibilités créatives. Grâce à sa faible distorsion, l’objectif présente une expérience utilisateur anamorphique classique sans nuire à la qualité de l’image. Cette version présente un coating neutre, avec des reflets bien contrôlés et doux et les images restent propres, même de nuit, avec plusieurs sources de lumière. Enfin, cet objectif est compact et léger, ce qui le rend idéal pour une utilisation sur drone, stabilisateur ou autres équipements de tournage.

Points forts de l’objectif Pavo 2x anamorphic Prime 100mm T2.4 (Neutre, Métrique)

  • Compact et léger
  • Ouverture lumineuse T2.4
  • Grossissement anamorphique 2x
  • Excellent bokeh
  • Distance de mise au point minimale la plus courte du marché
  • Faible distorsion
  • Coating neutre
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Customer Reviews (4.8 / 5 · 5 reviews)

Steven C. ★★★★★

I’ve been testing this 100mm anamorphic on a few narrative projects, and the dual PL/EF mount really saves time swapping between my cinema and photo rigs. The T2.4 aperture gives just enough depth for that signature oval bokeh without the image getting overly soft wide open. It’s become my go-to for

Victoria ★★★★★

Finally got footage that actually looks like cinema—the lens flares are controlled and the anamorphic squeeze is spot-on at 2x. Mounting it on my PL camera was seamless, and the T2.4 aperture gives me just enough light for moody interiors.

Ruby Y. ★★★★★

Felt like cheating on my usual spherical primes the second I saw the 2x squeeze on the PL mount — the T2.4 wide-open rendering is creamy yet sharp where it counts, and the metric focus marks make pulling on a follow focus feel almost intuitive. Coming from a manual stills lens, the lack of breathing