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DZOfilm Pavo 2x Anamorphic Prime A set 28/40/75mm (Bleu, Impérial)

DZOfilm Pavo 2x Anamorphic Prime A set 28/40/75mm (Bleu, Impérial) - Main image
$5845.8 $9743 In stock

Category: Objectifs Caméra

Présentation du DZOfilm Pavo 2x Anamorphic Prime A set 28/40/75mm (Bleu, Impérial)

Le DZOfilm Pavo 2x Anamorphic Prime A set 28/40/75mm (Bleu, Impérial) est un kit qui intègre les objectifs de focales 28mm, 40mm et 75mm de la gamme Pavo.

Les objectifs DZOfilm Pavo sont conçus pour les cinéastes à la recherche d’un grossissement anamorphique 2x et d’un excellent bokeh. Ils offrent une ouverture lumineuse T2.1 constante et la distance de mise au point minimale la plus courte du marché. De quoi offrir aux cinéastes une multitude de possibilités créatives. Grâce à sa faible distorsion, la gamme Pavo présente une expérience utilisateur anamorphique classique sans nuire à la qualité de l’image. Cette version présente un coating bleu, avec des reflets bien contrôlés et doux et les images restent propres, même de nuit, avec plusieurs sources de lumière. Enfin, ces objectifs sont compacts et légers, ce qui les rend parfaits pour une utilisation sur drone, stabilisateur ou autres équipements de tournage.

Points forts du kit d’objectifs Pavo 28/40/75mm (Bleu, Impérial)

  • Compacts et légers
  • Ouverture lumineuse T2.1
  • Grossissement anamorphique 2x
  • Excellent bokeh
  • Distance de mise au point minimale la plus courte du marché
  • Faible distorsion
  • Coating bleu
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United States · Return window (days after delivery): 30. Return method: By mail. Return postage: Seller pays.

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Customer Reviews (5.0 / 5 · 5 reviews)

Edward K. ★★★★★

I’ve shot with a lot of anamorphic glass, but the way this set’s 28mm keeps its oval bokeh even wide open genuinely surprised me. The focus ring turns smoothly with just the right amount of damping, and having all three focal lengths in one case is so convenient for run-and-gun work.

George ★★★★★

The build quality of the imperial blue housing feels solid, and the constant 2x squeeze across all three focal lengths is a game changer for matching shots. Just shot a short film with the 75mm, and the chromatic aberration is beautifully controlled even wide open.

James Q. ★★★★★

The blue flare on the 40mm is exactly what I wanted for my night shoots—it’s got that cinematic anamorphic character without being overwhelming. The whole set feels solid on my rig, and swapping between the 28, 40, and 75 is quick enough that I’ve stopped reaching for my old zooms. Even the close fo